Counterpoint and Species Training
Counterpoint isn't just an academic exercise. It teaches you how to write multiple melodic lines that work together without stepping on each other—a skill that applies whether you're arranging for strings, writing vocal harmonies, or layering synth parts.
We follow the species approach: starting with note-against-note writing, then moving through increasingly complex rhythmic relationships. You'll work in two voices first, then expand to three and four. The rules might seem strict initially, but they're training wheels that help you internalize good voice leading.
How this actually helps
Students consistently report that counterpoint training improves their arranging instincts. When you've written hundreds of bars following Renaissance-era rules, modern voice leading problems become much easier to solve. Your melodies gain independence, your harmonies sound clearer, and you develop an intuitive sense for how lines should move.
What You'll Learn
Training sequence
- First Species
- Note-against-note writing, consonance control, proper motion types
- Second Species
- Two-against-one counterpoint, passing and neighbor tones
- Third Species
- Four-against-one relationships, rhythmic flow
- Fourth Species
- Syncopation and suspension technique
- Fifth Species
- Florid counterpoint combining all elements
- Free Counterpoint
- Application in three and four voices, fugal exposition basics
Ready to Start Learning?
Get in touch with us to discuss your learning path and schedule your first session.
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